Best Lenses under CA$700 for video production

Best Pick
30mmf/1.4Nikon ZWeather Sealed
Why we recommend this

The bright f/1.4 aperture and 45mm full-frame equivalent field of view make this a versatile normal prime for APS-C shooters, delivering strong subject separation and low-light capability. Its compact 265g build includes weather sealing at the mount and a stepping motor for quiet, smooth autofocus that benefits video recording. This lens is best for street and travel photographers who prioritize a lightweight, fast-aperture setup with dependable autofocus.

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Sigma 28mm f/1.4 DG HSM Art

52.1 Video/Cinema Score
28mmf/1.4Nikon FWeather Sealed
Why we recommend this ▼

The f/1.4 maximum aperture and an optical design with three aspherical and five SLD/FLD elements deliver exceptional sharpness and contrast control for low-light scenes. Its weather-sealed, robust build and Super Multi-Layer Coating ensure reliable, flare-resistant performance in demanding conditions. This lens is best for professional landscape and street photographers needing a fast, wide-angle prime with uncompromising optical clarity.

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Best Lenses under CA$1,500 for video production

Best Pick

Sigma 17-40mm f/1.8 DC Art APS-C

87.7 Video/Cinema Score
17-40mmf/1.8Fujifilm XWeather Sealed
Why we recommend this

A constant F1.8 aperture across the 17-40mm zoom range delivers consistent brightness and depth-of-field control unmatched by typical kit lenses. Its Art-series optical design ensures crisp image quality for both stills and cinematic video on Canon RF APS-C bodies. This lens is best for portrait and event photographers who need a fast, versatile wide-to-standard zoom in a compact 562g package.

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Sigma 28-70mm f/2.8 DG DN Contemporary

71.4 Video/Cinema Score
28-70mmf/2.8Sony EWeather Sealed
Why we recommend this ▼

Weighing just 470g, this constant f/2.8 zoom stands out as the lightest and most compact in its class for Sony E-mount, making it an effortless daily carry. Its optical design incorporates two FLD and two SLD elements to suppress aberrations, delivering sharpness that rivals heavier f/2.8 alternatives. This lens is best for travel and event photographers who prioritize a portable, bright-aperture standard zoom without the bulk.

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Sigma 10-20mm f/4-5.6 D EX DC APS-C

45 Video/Cinema Score
10-20mmf/4-5.6Sony A
Why we recommend this ▼

The 10-20mm zoom range on APS-C gives a 15-30mm equivalent, ideal for wide-angle shots, with 13 elements in 10 groups including 2 aspherical and 3 ED elements for sharp, low-distortion images. Its internal focusing system keeps the front element still, making it easy to use polarizers, and the 465g weight keeps it portable for travel. Best for landscape photographers on a budget who want a wide-angle zoom for dramatic scenes, though its 19.6/100 portrait score shows it is not for portraits.

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Sigma 8-16mm f/4.5-5.6 DC HSM APS-C

39.9 Video/Cinema Score
8-16mmf/4.5-5.6Canon EF
Why we recommend this ▼

Its 8mm starting focal length delivers a 12.8mm equivalent field of view on APS-C Canon bodies, making it one of the widest rectilinear zooms available for the system. The optical design incorporates three aspherical and five ED elements to control distortion, while the bundled accessory kit adds practical value for field work. This lens is best for landscape photographers who need an extreme, uncropped perspective without switching to a fisheye.

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Best Lenses under CA$2,000 for video production

Best Pick

Sigma 28-105mm f/2.8 DG DN Art

86.8 Video/Cinema Score
28-105mmf/2.8Sony EWeather Sealed
Why we recommend this

A constant f/2.8 aperture across a 28-105mm zoom range paired with an HLA motor delivers fast, precise autofocus and a useful 1:3.1 magnification for close-ups. Its dust- and splash-resistant build, combined with a 12-blade diaphragm for smooth bokeh, offers a durable, all-in-one solution that reduces lens swaps during events. This lens is best for portrait and wedding photographers who need a versatile, weather-sealed workhorse with a bright aperture for low light.

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Sigma 150-600mm f/5-6.3 DG DN OS Sports

65.3 Video/Cinema Score
150-600mmf/5-6.3Sony EISWeather Sealed
Why we recommend this ▼

The 150-600mm f/5-6.3 DG DN OS Sports lens covers a full-frame telephoto zoom range with 25 elements in 15 groups, including four FLD and two SLD elements, plus a 4-stop optical stabilizer. Its weather-sealed build, 9-blade diaphragm, and adjustable zoom torque switch make it a solid choice for outdoor shooting. Best for wildlife and sports photographers who need a durable, long-reach zoom with reliable autofocus and stabilization.

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Best Lenses under CA$3,500 for video production

Best Pick

Sigma 70-200mm f/2.8 DG DN OS Sports

94.1 Video/Cinema Score
70-200mmf/2.8Sony EISWeather Sealed
Why we recommend this

Dual HLA motors deliver fast, quiet autofocus and the OS2 algorithm provides 7.5 stops of stabilization, making this f/2.8 telephoto zoom exceptionally steady for handheld work. Its internal zoom mechanism and weather-sealed Sports-line build resist dust and moisture while minimizing focus breathing for consistent framing. This lens is best for sports and wildlife photographers using Sony E-mount who need reliable subject tracking and sharp results in challenging outdoor conditions.

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Premium Lenses for video production

Best Pick

Sigma 200mm f/2 DG OS Sports

67.8 Video/Cinema Score
200mmf/2Sony EISWeather Sealed
Why we recommend this

As the world’s first 200mm f/2 full-frame mirrorless lens, its f/2 aperture and 6.5-stop optical stabilization deliver exceptional subject isolation and low-light performance. The HLA autofocus motor and Sigma’s Sports line build quality provide fast, reliable operation in demanding conditions. This lens is best for indoor sports photographers and portrait specialists who need extreme light gathering without sacrificing autofocus speed.

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Sigma 14mm f/1.4 DG DN Art

67.5 Video/Cinema Score
14mmf/1.4Sony EWeather Sealed
Why we recommend this ▼

The f/1.4 maximum aperture and 14mm focal length, combined with an 11-blade diaphragm and Super Multi-Layer Coating, deliver exceptional light gathering and sharp star rendering for astrophotography. Its weather-sealed, dust-resistant build and included TS-141 tripod socket provide practical, stable operation in challenging outdoor conditions. This lens is best for astrophotographers and landscape shooters who need a fast, ultra-wide prime with reliable autofocus and robust physical controls.

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150-600mmf/5-6.3Canon EFISWeather Sealed
Why we recommend this ▼

The 150-600mm zoom range, supported by a Hyper Sonic Motor and Optical Stabilization, delivers sharp handheld shots of distant subjects. Its optical design, with one FLD and three SLD elements plus a Super Multi-Layer Coating, minimizes aberrations and flare for clear, high-contrast images. This lens is best for wildlife and sports photographers using Nikon F-mount who need an affordable, stabilized super-telephoto reach.

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