Canon 2750B002
Combining a fast f/1.4 aperture with a virtually silent Voice Coil Motor and Nano USM autofocus system, this lens delivers precise, quiet operation ideal for video. Its hybrid design includes a dedicated manual iris ring, dual front and rear gel filter holders, and a weather-sealed build with advanced coatings to suppress flare. This lens is best for hybrid shooters and cinematographers who need wide-angle drama with minimal focus breathing and seamless aperture control.
Panoramica
The 30-Second Version
The VCM autofocus is the best in class, but at 1397g with no stabilization, this heavy prime is only worth it if you specifically need that silent, fast AF for video or low-light stills on a Canon RF mount.
Pros & Cons
Pro
- VCM autofocus is whisper-quiet and incredibly fast, perfect for video 90th
- f/1.4 aperture handles low light beautifully 89th
- Excellent optical design with aspherical and ED elements 77th
- Dedicated iris ring and minimal focus breathing cater to video shooters 75th
Contro
- At 1397g, this is a heavy prime lens that will weigh you down
- No image stabilization, so you're relying on IBIS or steady hands
- Mediocre bokeh quality for a fast prime lens
- Price range varies wildly from $625 to $1499, so shop carefully
Cosa dicono i proprietari
Come è cambiata l'opinione dei proprietari nel tempo
EsclusivaIn base a quando i clienti hanno effettivamente scritto le recensioni, per vedere se gli elogi iniziali sono durati.
- Q3 2026100/100
All four reviews are 5-star. Buyers praise the RF lenses for image quality, fast AF, and compact design; one notes strong uncorrected vignetting that corrects in post.
- Excellent image quality, sharpness, and creamy bokeh across multiple RF primes.
- Lightweight and compact design, especially noted for the 35mm and 85mm lenses.
- Fast and reliable autofocus performance, suitable for portraits and low-light.
- Strong uncorrected vignetting at wide apertures, but correctable and expected for lens design.
- Q2 202680/100
Reviews praise the 50mm f/1.4L VCM and 24mm f/1.4L II for sharpness, low-light performance, and build quality. Some users report pre-order cancellations and confusion about product pages.
- 50mm f/1.4L VCM delivers outstanding sharpness, beautiful bokeh, and fast autofocus for versatile shooting.
- 24mm f/1.4L Mark II is sharp, contrasty, weather-sealed, and excellent for low-light event photography.
- Pre-orders for lenses were cancelled by Canon/Best Buy, causing frustration and confusion.
- Product page is misleading; reviews for 85mm VCM lens are absent, with unrelated content.
- Q1 202683/100
Buyers praised the lens for sharpness, low-light performance, and autofocus. One review was mistakenly rated 0 stars but contained positive feedback.
- Excellent sharpness and image quality, especially for night and astrophotography.
- Fast, smooth, and quiet autofocus system ideal for both stills and video.
- Great value as an introductory lens for Canon RF mount or mirrorless transition.
- Pleasant bokeh and overall performance described as 'crispy' and 'buttery'.
- Q4 2025100/100
Buyers praise the RF50mm F1.4 L VCM for its sharpness, light weight, and ideal size for portraits and street photography. One purchase was a gift based on prior rental experience.
- Excellent image quality and sharpness
- Lightweight and compact design for a fast f1.4 lens
- Great for portrait and discrete street photography
- Preferred over other RF lenses for everyday use
- Q3 202596/100
Buyers praise the lens for sharpness, lightweight design, and excellent astrophotography performance. Some note reliance on digital corrections but overall highly satisfied.
- Sharp corner-to-corner and fast f/1.4 aperture praised for landscapes and astrophotography.
- Lightweight and well-balanced form factor, ideal for travel and video use.
- No color fringing or coma aberrations, excellent optical performance wide open.
- Relies on digital lens corrections, but not excessively; acceptable trade-off for size.
- Q2 202588/100
Buyers praise the lens for astrophotography, sharpness, and lightweight design. Minor issues include color fringing and need for lens corrections.
- Excellent for astrophotography with round stars and low coma wide open.
- Sharp, lightweight, and fast focusing; ideal for hybrid photo/video use.
- Some color fringing and severe peripheral shading if lens corrections are disabled.
- Great build quality and fast delivery from BH Photo.
- Q4 2024100/100
Buyers praise the lens for its sharpness, beautiful bokeh, fast AF, and lightweight design, noting minor correctable aberrations.
- Excellent image quality with sharpness and beautiful bokeh.
- Fast, accurate, and silent autofocus performance.
- Lightweight and compact, ideal for gimbal use.
- Some distortion and aberration, but easily corrected.
- Q4 202233/100
Mixed reviews: one praises image quality, two report severe issues with astrophotography coma and auto-focus defects.
- Auto-focus problems on multiple copies, unlike other L lenses.
- Serious coma at wide apertures, unsuitable for astrophotography.
- Unique wide-angle look with amazing image quality wide open.
- Expensive; good for general use but fails for specific purposes.
- Q3 2019100/100
Buyers in Q3 2019 praised the lens for its sharpness, bokeh, low-light performance, and versatility, calling it a worthwhile upgrade from zooms.
- Excellent image quality with sharpness, minimal distortion, and beautiful bokeh at f/1.4.
- Great low-light performance and fast autofocus, ideal for nightclubs and dark settings.
- Versatile for close-ups and landscapes, with close focus distance under 1 foot.
- Solid build, good weight and balance, and considered a worthwhile investment despite high price.
- Q2 2014100/100
Buyers praised the lens for portraits, studio work, and night photography, highlighting sharpness, low-light performance, and minimal coma.
- Excellent for portraits and small spaces with shallow depth of field.
- Outstanding edge-to-edge sharpness in studio product photography.
- Great for night photography with f/1.4 allowing lower ISO and little coma.
- Reliable Canon L series build quality and performance.
- Q3 201385/100
Buyers praised the lens for exceptional build quality, sharpness, and low-light performance, but noted unreliable autofocus at f1.4 and plastic barrel.
- Exceptional build quality, solid metal body, weather sealing, survived a drop.
- Autofocus unreliable at f1.4, varies shot to shot; burst mode recommended.
- Outer barrel mostly plastic, only filter thread is metal.
- Great for low light, close-up food and aquarium photography.
- Q1 201367/100
Buyers praise image quality and build but note distortion on full-frame, flare, and bokeh issues.
- Excellent image quality, sharpness, and build quality.
- Distortion on full-frame bodies creates fish-eye effect.
- Flare and nervous bokeh noted.
- Chromatic aberration at wide apertures.
- Q3 201260/100
Buyers praised image quality and build but reported soft focus and infinity focus issues, especially wide open.
- Excellent image quality, sharpness, and background blur when lens works correctly.
- Soft focus and infinity focus problems, especially wide open and for night landscapes.
- Focus accuracy varies between copies; some require exchange to get a good one.
- Solid construction, fast focus, and good all-around performance on crop sensor.
- Q2 2012100/100
Buyers in Q2 2012 praised the lens as excellent, sharp, and fast, with minor vignetting easily corrected in Lightroom. All reviews were 5-star, noting great image quality and build.
- Excellent image quality, sharpness, and fast focus.
- Minor vignetting wide open, easily corrected in Lightroom.
- Great build quality and color reproduction.
- Some users reported focus issues, but this copy worked fine.
- Q4 201156/100
Buyers praised image quality and low-light performance but reported frequent autofocus failures, with some returning the lens.
- Autofocus unreliable, often fails to lock or misses focus.
- Excellent image quality, sharpness, color, and low-light performance.
- Expensive prime lens; great for specific uses like landscapes but lacks versatility.
- Build quality good, but some copies have softness or vignetting wide open.
- Q3 201123/100
Buyers report severe autofocus inconsistency and front-focus issues, with one returning four copies. One user found it good for panoramic portraits.
- Autofocus often misses or breaks down, compared unfavorably to 85L.
- Severe front focus at f/1.8, believed to be a design flaw after multiple returns.
- Good for panoramic photos and produces interesting portrait results.
- High build quality but inconsistent focus performance.
- Q4 201080/100
Buyers praise sharpness, color, and build but report autofocus issues and high cost.
- Excellent sharpness, color, and contrast; great for night shots.
- Autofocus issues out of box; 80% missed focus on 5D Mark II.
- High price but considered worth it for image quality and time saved.
- Solid build, weather sealing, fast and quiet focusing when working.
- Q1 200972/100
Buyers praise the lens for sharpness and underwater use, but some report quality control issues requiring returns.
- Excellent sharpness and performance, especially for underwater photography.
- Some users needed multiple copies due to focus or sharpness defects.
- Improved over previous version in sharpness, CA, bokeh, and build.
- Quality control issues: back focus, softness at f/1.4, multiple returns.
Basato su 115 recensioni dei clienti datate, raggruppate per trimestre solare. L'analisi per periodo è in inglese.
Le prove
Performance
The autofocus is the star here, sitting at the 95th percentile and absolutely flying in real-world use. The VCM motor working alongside Nano USM is nearly silent and lightning quick, making it ideal for video work where motor noise would ruin a take. Optical quality lands in the 83rd percentile, which is strong but not class-leading. The f/1.4 aperture delivers solid low-light performance and shallow depth of field, though bokeh quality only hit the 32nd percentile, so don't expect creamy backgrounds at wide open. The lack of stabilization is noticeable, and at 1397g, this lens will make your camera bag significantly heavier. Weaker areas include versatility (34th percentile) and travel performance (26.9/100), which makes sense given the weight and fixed focal length.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 24 |
| Focal Length Max | 24 |
| Elements | 15 |
| Groups | 11 |
| Aspherical Elements | 1 |
| ED Elements | 2 |
| Coating | Air Sphere (ASC) Coating |
Aperture
| Max Aperture | f/1.4 |
| Min Aperture | f/16 |
| Constant | Yes |
| Diaphragm Blades | 11 |
Build
| Mount | Canon RF |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.5 kg / 1.1 lbs |
| Filter Thread | 67 |
AF & Stabilization
| AF Type | Nano USM |
| Stabilization | No |
Focus
| Min Focus Distance | 239 |
| Max Magnification | 0.17x |
vs Competition
The Sigma Contemporary 18-50mm f/2.8 and Tamron 17-70mm f/2.8 offer significantly more versatility at a fraction of the price and weight, though they sacrifice that fast f/1.4 aperture and VCM autofocus system. The Nikon Z 17-28mm f/2.8 is a stronger competitor for wide-angle work, offering a more practical zoom range and solid constant aperture. The Canon wins on autofocus speed and video features, but if you're not actively shooting video or don't need that specific 24mm f/1.4 combination, these alternatives deliver more flexibility for less money.
| Spec | Canon 2750B002 | Viltrox LAB AF 35mm f/1.2 LAB FE | Sony G Master FE 50-150mm f/2 GM | Sigma Art 17-40mm f/1.8 DC | Tamron Di III 70-180mm f/2.8 VC VXD G2 | Nikon NIKKOR Z 50mm f/1.2 S |
|---|---|---|---|---|---|---|
| Focal Length | 24mm | 35mm | 50-150mm | 17-40mm | 70-180mm | 50mm |
| Max Aperture | f/1.4 | f/1.2 | f/2 | f/1.8 | f/2.8 | f/1.2 |
| Mount | Canon RF | Sony E | Sony E | Fujifilm X | Sony E | Nikon Z |
| Format Coverage | full-frame | full-frame | full-frame | APS-C | full-frame | full-frame |
| Stabilization | false | false | false | false | true | false |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 515 | 910 | 1340 | 535 | 855 | 1090 |
| AF Type | Nano USM | VCM | XD linear motors | HLA (High-response Linear Actuator) | VXD | Multi-Focus Stepping Motor AF System |
| Lens Type | prime | prime | zoom | zoom | zoom | prime |
| Compare | Compare | Compare | Compare | Compare |
| Prodotto | AF | Bokeh | Build | Macro | Reach | Video | Optical | Aperture | User Sentiment | Wide Angle | Portability | Versatility | Riscontro degli utenti | Affordability | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Canon 2750B002 | 89.9 | 42.6 | 77.3 | 45.3 | 15.9 | 72.2 | 62.3 | 89 | 10.2 | 74.5 | 49.1 | 33 | 43.4 | 32.4 | 36.2 |
| Viltrox LAB AF 35mm f/1.2 LAB FE Compare | 95.4 | 69 | 90.6 | 45.3 | 29.5 | 72.2 | 92.6 | 96.1 | 82 | 53.2 | 20.5 | 33 | 88.1 | 33.4 | 36.2 |
| Sony G Master FE 50-150mm f/2 GM Compare | 95.4 | 95.9 | 98.8 | 52 | 80.3 | 88 | 95.6 | 64.2 | 66.4 | 39.9 | 10.8 | 82.3 | 92.6 | 7.4 | 36.2 |
| Sigma Art 17-40mm f/1.8 DC Compare | 95.4 | 53.1 | 95.1 | 54.2 | 53.1 | 88 | 97.3 | 74.9 | 98.8 | 68.6 | 47.1 | 75.4 | 92.6 | 33.6 | 36.2 |
| Tamron Di III 70-180mm f/2.8 VC VXD G2 Compare | 95.4 | 86.5 | 77.3 | 75.8 | 81.1 | 84.1 | 96.5 | 43.9 | 66.4 | 29.2 | 21.8 | 77.5 | 92.6 | 27.8 | 97.3 |
| Nikon NIKKOR Z 50mm f/1.2 S Compare | 68.6 | 80.6 | 77.3 | 38 | 43.9 | 72.2 | 87.5 | 96.1 | 92.8 | 39.9 | 15.3 | 33 | 96.1 | 15.9 | 36.2 |
Prezzo
Value & Pricing
This lens sits in a tricky spot. The $625 to $1499 price spread across vendors is massive, and we can't stress this enough: do your homework before buying. At the high end, you're paying Sony G Master money for a specialized tool. At the low end, it becomes more reasonable for professionals who need that specific autofocus and iris ring combo. For everyone else, the value drops fast, especially considering the weight penalty you'll live with every day.
Amazon 2 offerte Da 1156 CA$
Price History
Approfondisci
Overview
The Canon RF 24mm f/1.4 L VCM is a specialized wide-angle prime built for serious shooters who prioritize autofocus speed and optical quality over versatility. At 1397g, this thing is a chunky beast for a prime lens, but the f/1.4 aperture and that VCM (Voice Coil Motor) autofocus system deliver some of the fastest, quietest focusing we've seen in this category. It's part of Canon's Hybrid lens series, meaning Canon designed it to excel at both stills and video, with a dedicated iris ring and minimal focus breathing. The optical formula is serious too: 15 elements including aspherical and ED glass, plus multiple coatings to tame flare. If you're shooting events, documentary, or video work on a Canon RF mount, this lens was built for you. If you need something lighter or more flexible, keep looking.
Common Questions
Q: Is this lens good for video?
Yes, absolutely. The VCM motor is nearly silent, there's a dedicated iris ring for smooth aperture transitions, and focus breathing is minimal. This is one of the best RF lenses for video work.
Q: How does it compare to the Sony 24mm f/1.4 GM?
The Canon wins on autofocus speed and video features, but the Sony is lighter and has been on the market longer with more real-world testing. If you're already in the Canon RF ecosystem, the VCM lens is the better choice.
Q: Does it have image stabilization?
No, and this is a notable omission. You'll need to rely on your camera's IBIS or keep your shutter speed high enough to avoid motion blur.
Who Should Skip This
If you're a travel photographer, casual shooter, or anyone who values a lightweight kit, skip this lens. At 1397g, it's heavier than many zoom lenses and offers no stabilization to compensate. Grab a lighter zoom or a slower prime like the Canon RF 35mm f/1.8 instead.
Verdict
The Canon RF 24mm f/1.4 L VCM is a niche tool that does its specific job extremely well. If you need silent, lightning-fast autofocus for video work or fast action on a Canon RF body, this lens delivers. But at 1397g with no stabilization and limited versatility, it's a one-trick pony that demands a clear use case. For most photographers, a lighter zoom or slower prime will serve them better day-to-day.
Usage Scores
- Macro34.5
- Complessivo68.3
- Budget56.4
- Street78.8
- Travel40.4
- Portrait49.3
- Landscape72.8
- Professional77.1
- Video Cinema70.5
- Wildlife Sports36.5
