Meike 25mm f/0.95 APS-C
The f/0.95 maximum aperture delivers extreme light gathering and shallow depth of field on APS-C sensors, aided by a 13-blade diaphragm for smooth bokeh. Its all-metal manual focus construction provides a tactile, durable feel at a budget-friendly price point. This lens is best for portrait and macro enthusiasts on Canon EF-M cameras who prioritize creative control and low-light capability over autofocus convenience.
Snapshot
The 30-Second Version
The Meike 25mm f/0.95 gives you a genuinely massive aperture for around USD 100, which is kind of wild. The 13-blade diaphragm and 77th percentile macro performance are the highlights. But it's manual focus only, build quality is average, and the overall score of 42.1 means this is a specialist tool, not a daily driver.
Pros & Cons
Pros
- f/0.95 aperture is genuinely huge for low light work 99th
- 13-blade diaphragm delivers smooth, round bokeh 94th
- Macro performance at 77th percentile is well above average 76th
- Stabilization ranking of 80th percentile is a standout
- 250mm minimum focus distance lets you get close to subjects
Cons
- Manual focus only, no autofocus whatsoever
- Build quality at 45th percentile is just average
- Customer rating of 3.8 out of 5 from only 4 reviews
- Social proof at 11th percentile means very little community feedback
- Overall score of 42.1 out of 100 is underwhelming
What owners think
The Word on the Street
How owner sentiment changed over time
ExclusiveBased on when customers actually wrote their reviews - so you can see whether early praise held up.
Based on 7 dated customer reviews, grouped by calendar quarter. Period analysis is in English.
The proof
Performance
The f/0.95 aperture is the star here, and it's not close. For Micro Four Thirds shooters who struggle with low light, this is a legitimate solution. The 13-blade diaphragm produces bokeh that lands right at the 50th percentile, which is honestly better than I expected from a budget manual lens. You get smooth, round highlights instead of the jagged polygons cheaper lenses produce. The optical quality sits at the 56th percentile, so it's solidly middle of the pack. Not going to blow your mind with sharpness wide open, but stop it down a bit and it cleans up nicely.
The macro performance is where this lens quietly shines. A 77th percentile macro score with a 250mm minimum focus distance means you can get surprisingly close to subjects. That's well above average for a lens in this class. The stabilization ranking of 80th percentile is also a nice surprise, though it's worth remembering this is a manual focus lens, so stabilization helps with camera shake, not with nailing focus on a moving subject. The autofocus score of 15th percentile is technically accurate but also a bit unfair, since there's no autofocus at all. You're doing everything by hand here.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 25 |
| Focal Length Max | 25 |
| Elements | 11 |
| Groups | 9 |
| Coating | Multi-layered |
Aperture
| Max Aperture | f/0.95 |
| Min Aperture | f/16 |
| Constant | No |
| Diaphragm Blades | 13 |
Build
| Mount | Fujifilm X |
| Format | APS-C |
| Weight | 0.6 kg / 1.3 lbs |
| Filter Thread | 62 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | Yes |
Focus
| Min Focus Distance | 250 |
vs Competition
Stacked against the Sony E PZ 16-50mm f/3.5-5.6 OSS, the Meike wins on pure aperture speed but loses on everything practical. The Sony has autofocus, zoom range, and better social proof. The Viltrox AF 20mm F2.8 FE is a closer philosophical match, but it has autofocus and a more modern design, though it can't touch the Meike's f/0.95 light gathering. The Rokinon Prima Series RK8518 85mm F1.8 is another manual focus option, but at f/1.8 it's two full stops slower than the Meike. The Canon EF-S 55-250mm f/4-5.6 IS STM is a completely different animal, a telephoto zoom with stabilization and autofocus. None of these competitors offer what the Meike does at this price point, which is an ultra-fast prime with a 13-blade diaphragm. But all of them are easier to live with day to day.
| Spec | Meike 25mm f/0.95 | Sigma Art 50mm f/1.4 DG HSM | Sony E SEL11F18 | Nikon NIKKOR Z 24-120mm f/4 S | Canon RF 24-105mm f/4L IS USM | Viltrox AF 56mm f/1.2 Pro Z |
|---|---|---|---|---|---|---|
| Focal Length | 25mm | 50mm | 11mm | 24-120mm | 24-105mm | 56mm |
| Max Aperture | f/0.95 | f/1.4 | f/1.8 | f/4 | f/4 | f/1.2 |
| Mount | Fujifilm X | Nikon F | Sony E | Nikon Z | Canon RF | Nikon Z |
| Format Coverage | APS-C | full-frame | APS-C | full-frame | full-frame | APS-C |
| Stabilization | true | false | false | true | true | false |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 600 | 815 | 181 | 630 | 700 | 595 |
| AF Type | manual focus only | HSM | Dual Linear AF Motors | Silent Wave Motor | Nano USM | VCM Focusing Motor |
| Lens Type | prime | prime | prime | zoom | zoom | prime |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Reach | Video | Optical | Aperture | Wide Angle | Portability | Versatility | Social Proof | Affordability | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Meike 25mm f/0.95 | 20.9 | 63.7 | 30.7 | 21.1 | 35.1 | 28.5 | 59 | 99 | 48.4 | 39.6 | 33 | 2.4 | 94.1 | 76.2 |
| Sigma Art 50mm f/1.4 DG HSM Compare | 83.5 | 75 | 77.3 | 35.3 | 43.9 | 28.5 | 73.3 | 89 | 40 | 23.8 | 33 | 88.2 | 35.3 | 36.2 |
| Sony E SEL11F18 Compare | 95.4 | 13.1 | 97.5 | 51.9 | 8.3 | 72.2 | 85.4 | 74.8 | 86.8 | 87.1 | 33 | 92.7 | 58.9 | 36.2 |
| Nikon NIKKOR Z 24-120mm f/4 S Compare | 83.5 | 67.6 | 95.1 | 76.1 | 76.1 | 81.6 | 86.2 | 16.9 | 74.5 | 37.4 | 93.5 | 82.1 | 38.2 | 88.9 |
| Canon RF 24-105mm f/4L IS USM Compare | 89.9 | 61.3 | 90.7 | 60.6 | 73.9 | 84.2 | 82.6 | 16.9 | 74.5 | 32.1 | 91.9 | 70 | 47 | 93.4 |
| Viltrox AF 56mm f/1.2 Pro Z Compare | 95.4 | 87.7 | 77.3 | 28.9 | 63.4 | 72.2 | 47.3 | 96.1 | 22 | 40.2 | 33 | 75.3 | 55.1 | 36.2 |
Price
Value & Pricing
At USD 100 from US listings, this lens is cheap enough to be an impulse buy for anyone curious about ultra-fast manual glass. The CAD 149 Canadian price and EUR 112 German price are in the same ballpark once you account for regional markup. For that money you're getting an f/0.95 aperture, which is absurd. Lenses with this kind of light-gathering ability usually cost four or five times more. The trade-off is that you're getting average build quality, no autofocus, and a lens that scored 42.1 overall in our database. But if you want to experiment with extreme low light photography or dreamy shallow depth of field without spending a fortune, this is one of the cheapest tickets into that world.
Amazon 1 offer From CA$150
Price History
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Overview
The Meike 25mm f/0.95 for Micro Four Thirds is a lens that lives and dies by one number: f/0.95. That's a genuinely huge aperture, and it's the whole reason this thing exists. Our database puts its aperture performance at the 43rd percentile, which sounds mediocre until you remember most lenses can't even dream of opening up this wide. It's a manual focus, fully mechanical lens with 11 elements in 9 groups and a 13-blade diaphragm. The macro score of 57.7 out of 100 is the best thing on its report card, while the overall score of 42.1 tells you this is a specialist tool, not an everyday workhorse.
At 600g with a 62mm filter thread and a minimum focus distance of 250mm, this is a chunky piece of glass for a Micro Four Thirds prime. The build quality sits at the 45th percentile, which is about average. But the customer rating of 3.8 out of 5 from just 4 reviews tells a story of a lens that some people love and others find frustrating. The social proof ranking is 11th percentile, so you're basically buying this on faith and spec sheets, not community consensus.
Common Questions
Q: Does this lens have autofocus?
No. The Meike 25mm f/0.95 is fully manual focus only. Our database ranks its autofocus at the 15th percentile, which reflects the complete absence of any AF motor. You'll need to enable the release shutter without lens option in your camera's custom functions to use it.
Q: How good is the bokeh on this lens?
The bokeh lands at the 50th percentile in our database, which is average overall but impressive for a budget manual lens. The 13-blade diaphragm helps produce smooth, round out-of-focus highlights. Combined with the f/0.95 aperture, you can achieve very shallow depth of field.
Q: Is this lens good for macro photography?
It's surprisingly capable. The macro score of 57.7 out of 100 puts it at the 77th percentile, which is well above average. The 250mm minimum focus distance lets you get close to subjects, though it's not a true 1:1 macro lens.
Who Should Skip This
If you need autofocus for anything moving, skip this. The 15th percentile AF ranking isn't just bad, it's nonexistent. Travel photographers should also look elsewhere, since the travel score of 25.2 out of 100 is the weakest area in our testing. At 600g with no weather sealing, this isn't a lens you toss in a bag for a weekend trip. Portrait shooters expecting flattering compression should know the portrait score is just 42 out of 100. And if you're someone who values community feedback before buying, the 11th percentile social proof ranking means you're essentially going in blind with only 4 customer reviews to guide you.
Verdict
The Meike 25mm f/0.95 is a niche lens for a specific kind of shooter. If you're a Micro Four Thirds user who wants to push into extreme low light or get that razor-thin depth of field look, this lens delivers at a price that's hard to argue with. The f/0.95 aperture is the real deal, and the 13-blade diaphragm gives you bokeh that punches above its weight class. But the 42.1 overall score and 3.8 customer rating are honest signals. This is not a lens for everyone. It's heavy at 600g, fully manual, and the build quality is nothing special. If you know exactly what you're getting into, it's a fun and affordable experiment. If you're expecting a polished everyday prime, you'll be disappointed.
Usage Scores
- Macro20.9
- Overall39.7
- Budget72.1
- Street53.7
- Travel24.4
- Portrait40.3
- Landscape31.3
- Professional36.4
- Video Cinema31.4
- Wildlife Sports20.9