Best Lenses under CA$700 for professional use

Best Pick

Sirui Astra Series AST-50-LB 50mm f/1.8

67.3 Professional Score
50mmf/1.8L-MountWeather Sealed
Why we recommend this

Combining a fast T1.8 aperture with selectable autofocus in a full-frame anamorphic design, this 50mm lens delivers a 2.4:1 aspect ratio without cropping and distinctive blue streak flares. Its 18-element optical construction ensures edge-to-edge sharpness across the expansive 44mm image circle, while the 636g weight keeps it manageable for handheld gimbal work. This lens is best for solo filmmakers and content creators who need cinematic widescreen character with the convenience of reliable autofocus on Nikon Z cameras.

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Panasonic LUMIX S S-S50 50mm f/1.8

67.2 Professional Score
50mmf/1.8L-MountWeather Sealed
Why we recommend this ▼

The 9-element optical design with three aspherical and one ED element delivers sharp, detailed images with controlled aberrations. Its 9-blade circular aperture produces smooth, pleasing bokeh for subject isolation, and the bundled kit adds practical accessories like a filter set and cleaning tools. This lens is best for portrait photographers who prioritize flattering rendering and a versatile 50mm focal length.

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7Artisans 24mm f/1.8 AF

53 Professional Score
24mmf/1.8L-Mount
Why we recommend this ▼

The 24mm f/1.8 prime pairs a critical wide-angle view with a fast aperture, delivering clean low-light shots and edge-to-edge sharpness on sensors up to 60MP. Its STM motor enables silent, precise autofocus with eye detection, while the metal body, Type-C port, and customizable FN button add practical versatility. Best for Nikon Z shooters who want a lightweight, story-driven lens for street photography, travel, and environmental portraits.

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TTArtisan AF 40mm f/2

35.6 Professional Score
40mmf/2L-Mount
Why we recommend this ▼

Weighing just 176g with an STM motor and f/2 aperture, this full-frame 40mm prime combines a natural field of view with low-light capability in an all-metal body. Its clickable aperture ring and USB-upgradeable firmware add tactile control and future-proofing rarely found at this budget tier. This lens is best for street and travel photographers who prioritize a featherweight, discreet setup without sacrificing full-frame coverage.

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75mmf/1.5L-Mount
Why we recommend this ▼

The 75mm T1.5 prime covers a 43.5mm image circle for full-frame sensors, with a 13-blade aperture and 300-degree focus throw for smooth manual pulls. Its metal chassis passes vibration tests to prevent optical axis shift, and the T1.5 transmission keeps footage clean in low light. Best for indie filmmakers and videographers shooting portraits or close-ups on Sony E, Z, RF, or L mount cameras who prioritize creamy bokeh and precise focus control.

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24mmT1.2L-Mount
Why we recommend this ▼

A constant T1.2 aperture lets this 24mm cine lens capture clean low-light footage without pushing ISO, and the manual focus ring gives precise pull-focus control. The all-metal housing and geared rings feel durable on set, while the S35 coverage keeps the lens compact for gimbal or handheld work. It suits APS-C video shooters who need a fast, wide prime for night exteriors or moody interior scenes.

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Best Lenses under CA$1,500 for professional use

Best Pick

Sigma 90mm f/2.8 DG DN Contemporary

61.2 Professional Score
90mmf/2.8L-MountWeather Sealed
Why we recommend this

A 90mm f/2.8 prime with a stepping motor and inner focus system delivers fast, quiet autofocus, while the Super Multi-Layer Coating and aperture ring add professional control. Its compact 853g build and 1:5 magnification make it a lightweight choice for close-up work, and it pairs with lens aberration correction for sharp rendering. Best for portrait photographers on full-frame mirrorless cameras who want a small, high-quality telephoto for shallow depth of field and detail shots.

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Sirui 20mm T1.8 1.33X Anamorphic APS-C

42.3 Professional Score
20mmf/1.8L-MountIS
Why we recommend this ▼

Featuring an integrated STM autofocus motor and a T1.8 aperture, this 20mm lens delivers a 1.33x anamorphic squeeze for a 2.35:1 widescreen image on APS-C sensors without cropping. At just 480g with an AF/MF switch and eye-tracking, it uniquely pairs cinematic character with gimbal-friendly, run-and-gun practicality. This lens is ideal for independent filmmakers and handheld shooters on Nikon Z-mount cameras who demand anamorphic aesthetics with reliable, quiet autofocus.

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DZOfilm VESPID 90mm T2.8 macro

31.7 Professional Score
90mmf/2.8PL-Mount (Super 16 and 2/3")
Why we recommend this ▼

A 16-blade iris and T2.8 aperture deliver exceptionally smooth, circular bokeh and precise depth-of-field control for full-frame cinematography. Its relatively compact 1361g build and standardized 80mm front diameter integrate seamlessly with common matte box systems, despite lacking weather sealing. This lens is best for independent filmmakers and videographers needing a dedicated macro prime for detailed close-up work and portrait-style interviews.

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Sigma 70mm f/2.8 DG Macro Art

58.9 Professional Score
70mmf/2.8L-Mount
Why we recommend this ▼

The Sigma 70mm F/2.8 EX DG Macro delivers true 1:1 magnification with a 105mm minimum focus distance, using 8 elements in 8 groups with 2 aspherical and 3 ED lenses to correct aberrations. Its floating focus system maintains sharpness from infinity to macro, while the 9-blade diaphragm and weather sealing add practical value for field use. Best for photographers who need a dedicated macro lens with full-frame coverage and precise autofocus for close-up work.

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Best Lenses under CA$2,000 for professional use

Best Pick

Panasonic LUMIX S PRO 24-70mm f/2.8

79 Professional Score
24-70mmf/2.8L-MountWeather Sealed
Why we recommend this

A constant f/2.8 aperture across the 24-70mm zoom range pairs with an 18-element optical design featuring 3 aspherical and 4 ED elements to deliver high contrast and edge-to-edge sharpness. The 11-blade diaphragm produces smooth, circular bokeh for subject isolation, while the dust- and splash-resistant build ensures reliable operation in harsh conditions down to -10°C. This lens is best for portrait and professional photographers on the L-Mount system who need a versatile, weather-sealed workhorse for everything from environmental portraits to event coverage.

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Rokinon 35-150mm f/2-2.8 AF

74.1 Professional Score
35-150mmf/2-2.8L-MountWeather Sealed
Why we recommend this ▼

The f/2-2.8 aperture across a 35-150mm range gives this L-mount zoom a bright, flexible reach for portraits and events, backed by 21 elements and weather sealing. Its linear stepping motor and three custom mode switches make it a practical choice for fast-moving subjects and video work. Best for L-mount shooters who want one lens for travel and portrait photography without swapping glass.

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Sirui Venus E35 35mm f/2.9

34.4 Professional Score
35mmf/2.9L-MountIS
Why we recommend this ▼

The 1.6x squeeze factor delivers a true anamorphic look with full-frame coverage, creating a 2.8:1 widescreen aspect ratio when de-squeezed. Its all-metal build weighs 1365g and offers a fast T2.9 aperture for shallow depth of field, though it requires manual focus and lacks weather sealing. This lens is best for cinematographers shooting narrative films or music videos on Sony E-mount who prioritize classic oval bokeh and horizontal blue streak flares over portability.

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Best Lenses under CA$3,500 for professional use

Best Pick
15mmf/1.4L-MountWeather Sealed
Why we recommend this

The integrated rear filter slots with a locking mechanism set this cap apart, offering secure storage for the 15mm f/1.4 DG DN Diagonal Fisheye Art Lens's accessories. Its design prioritizes protection against scratches and dirt while keeping filters readily accessible in the field. This cap is best for portrait photographers who need to safeguard their fast f/1.4 fisheye lens and quickly swap rear filters during shoots.

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Panasonic Lumix S Pro 70-200mm f/2.8

88 Professional Score
70-200mmf/2.8L-MountISWeather Sealed
Why we recommend this ▼

A constant f/2.8 aperture across the 70-200mm zoom range paired with an 11-blade diaphragm delivers strong low-light performance and smooth bokeh for subject isolation. Its optical design uses two UED and three ED elements to suppress aberrations, while the weather-sealed build operates down to -14°F and the bundled kit adds filters and a backpack. This lens is best for event photographers and videographers needing stabilized, quiet autofocus with minimal focus breathing on L-mount bodies.

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14-24mmf/2.8L-MountWeather Sealed
Why we recommend this ▼

The 14-24mm f/2.8 constant aperture zoom, co-developed with Schneider-Kreuznach, covers full-frame Sony E mount with 15 elements in 11 groups, including 3 aspherical and 3 ED, and weighs just 445g. Its linear STM autofocus and weather-sealed build make it a reliable choice for outdoor shooting, while the 9-blade diaphragm and 180mm minimum focus add flexibility. Best for landscape and travel photographers who need a lightweight, sharp ultra-wide zoom for Sony E-mount cameras.

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100-500mmf/5-7.1L-MountISWeather Sealed
Why we recommend this ▼

With a compact 7.7-inch barrel and 7-stop Dual I.S. stabilization, this 100-500mm f/5-7.1 L-mount lens enables sharp handheld telephoto shooting across its range. Its 19-element, 12-group optical design with 4 ED elements delivers crisp details and smooth bokeh, enhanced by an 11-blade diaphragm and a 2.6-foot close focus that provides 1:2.8 magnification for near-macro results. Best for landscape photographers needing telephoto compression and wildlife or motorsports shooters who prioritize portability and weather-sealed durability.

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Premium Lenses for professional use

Best Pick

Sigma 300-600mm f/4 DG OS Sports

87.2 Professional Score
300-600mmf/4L-MountISWeather Sealed
Why we recommend this

A constant f/4 aperture across a 300-600mm zoom range provides consistent light gathering and subject isolation that competing super-telephotos typically sacrifice. The optical design prioritizes portraiture and distant subject compression, achieving a 45.5/100 portrait score despite lacking stabilization and weather sealing. This lens suits portrait and sports photographers who can rely on a monopod or high shutter speeds and don't require sealed construction.

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Leica Summicron-SL 50mm f/2 ASPH.

56.4 Professional Score
50mmf/2L-MountWeather Sealed
Why we recommend this ▼

The 12-element optical design with three aspherical elements delivers apochromatic correction for exceptional sharpness and contrast across the full-frame image circle. Its fast, near-silent Dual Syncro Drive autofocus pairs with a weather-sealed, AquaDura-coated brass barrel built to "Made in Germany" standards for reliable field use. This 50mm f/2 prime is best for portrait photographers who demand reference-grade rendering and robust build quality over lightweight travel convenience.

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