Best Pick
70mmf/2.8L-Mount
Why we recommend this

The Sigma 70mm F/2.8 EX DG Macro delivers true 1:1 magnification with a 105mm minimum focus distance, using 8 elements in 8 groups with 2 aspherical and 3 ED lenses to correct aberrations. Its floating focus system maintains sharpness from infinity to macro, while the 9-blade diaphragm and weather sealing add practical value for field use. Best for photographers who need a dedicated macro lens with full-frame coverage and precise autofocus for close-up work.

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Great Alternatives

These options also score highly and may better suit your specific needs

100mmf/1.8L-Mount
Why we recommend this ▼

Combining a fast T1.8 aperture with selectable autofocus in a full-frame anamorphic lens, the 100mm focal length delivers a 2.4:1 widescreen image with characteristic blue streak flares and no cropping. The 13-blade diaphragm creates oval bokeh and the weather-sealed, 700g build maintains a practical 67mm filter thread for on-set versatility. This lens is best for narrative filmmakers and solo operators who need the classic anamorphic look with the speed and convenience of reliable autofocus on Sony E-mount cameras.

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90mmf/2.8PL-Mount (Super 16 and 2/3")
Why we recommend this ▼

A 16-blade iris and T2.8 aperture deliver exceptionally smooth, circular bokeh and precise depth-of-field control for full-frame cinematography. Its relatively compact 1361g build and standardized 80mm front diameter integrate seamlessly with common matte box systems, despite lacking weather sealing. This lens is best for independent filmmakers and videographers needing a dedicated macro prime for detailed close-up work and portrait-style interviews.

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90mmf/2.8L-MountWeather Sealed
Why we recommend this ▼

A 90mm f/2.8 prime with a stepping motor and inner focus system delivers fast, quiet autofocus, while the Super Multi-Layer Coating and aperture ring add professional control. Its compact 853g build and 1:5 magnification make it a lightweight choice for close-up work, and it pairs with lens aberration correction for sharp rendering. Best for portrait photographers on full-frame mirrorless cameras who want a small, high-quality telephoto for shallow depth of field and detail shots.

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